GESTURE PLAYGROUND

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

Installation

Urethane Resin, Plastic, Sponge, Metal, Paper, Vniyl
2022

As the catalog of objects keeps expanding, a trend gets clear: certain gestures are bonded with certain affordances, or say certain usages of objects. This correlation limits our ways of expression and tames us to speak their language. There is a distortion inherentin design practices; designers are complying with assumptions and legacies to create objects that follow obsolete rules and standards.

You are invited to play with your gestures via these objects and leave your marks on paper.

Related researches writing here, and collages here.

Ziming Wang

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© 2022 / ZIMING WANG